Artifical Intelligence, in my opinion, is a classic movie. A visual masterpiece from Steven Spielberg, this movie is set in the near future, in which the manufacturing of robots occurs; but these aren’t any type of robots, but advanced, realistic, life-like robots (named mechas), which have been programmed to be as human as possible. However, although many types were manufactured, they still lacked some of the main elements that truly make a human, human, with one in particular – emotion. However, a further advanced prototype robot was created, called David (Haley Joel Osment) – a robot, created in the image of a young child, which has the ability to have emotions, in particular, the emotion of love towards his mother, Monica (Frances O’Connor), who adopted him as a substitute for her child who is in cryostasis due to having an incurable disease.
Problems begin to arise within the family, as a cure had been created for the child in stasis, meaning that he is able to return back home, and as a result, both David, and his now step-brother, Martin, feel obliged to compete for their mother’s love. Through this, Martin tricks David into doing several things which would make him appear unsafe to have as a ‘son’, and so Monica decides to return David back to the factory at which he was created, to be destroyed. However, a permanent imprint from Monica was put into David as she decided to permanently keep him, and being destroyed would be the only way to remove this imprinting. But David shows such genuine emotion towards her, even calling her mommy, to the extent that she cannot bear to have him destroyed, and so she drives him out to the woods and leaves him there. All the while, David, producing child-like emotions, becomes scared and worried, wondering why he has been abandoned by his mother, before wandering further into the woods.
David remembers a book his mother once read him before bed, the story of Pinocchio, and how the Blue Fairy granted wooden Pinocchio the wish of becoming a real boy. David, wanting nothing but the unconditional love of his mother, goes in search of the Blue Fairy, along the way, meeting countless different types of mechas, who have human appearances. He realises they are all discarded robots, and are being captured for recycling. Luckily, with the help of a few friendly and caring robots, including a robot programmed to please women – Gigolo Joe (Jude Law) manage to help. Joe decides to tag along with David, leading him to Rouge City, where Joe is convinced he will find the Blue Fairy.
The movie continues through a visually stunning, emotion-provoking futuristic journey, before David finds the Blue Fairy, only to be told it isn’t real by Professor Allen Hobby (William Hurt) – the man in charge of the company, Cybertronics, who created young David. David, in an attempt to escape from pursuers, travels underwater in an Amphibicopter, to an underwater city, which is in fact Coney Island. He becomes stuck in some rubble, but in the distance, sees a statue of a Blue Fairy. Two thousand years pass, and David is still there, staring at the fairy, before he is suddenly found and taken out of the water by an Alien species. This species has the ability to bring people back, but they need a DNA sample. David reveals he has a strand of hair from Monica, which he cut off her head (one of the things Martin made him to do try to get him into trouble).
His mother is brought back, and as David wished, he has been granted the wish by the mysterious yet graceful species, to become a real boy. However, the downside is that such resurrected people, as his mother, can only be brought back for a day. David finally lives a life in the day of a human, with his mother Monica, having the best day he has ever witnessed, laying with his mother at the end of the night, as she “falls asleep”…
This movie is perhaps one of the most realistically advanced movies I have ever seen. Throughout the movie, you can tell how much effort has been put into it, not only through the amazing special effects that have been used, providing brilliant visuals, but through the simple, yet brilliant storyline, adapted from the story of Pinocchio, ironically, being brought to life, in this beautifully crafted movie. There isn’t a lot of dialogue in this movie in comparison to most other movies, but such an amount is not required. The majority of this movie is heavily carried forward through its beautiful visuals, emotions, and its storyline, which even provokes emotions in the audience, as do the mysteriously eerie, yet brilliant futuristic representations.
However, the acting in this movie, especially on Osment’s part, is brilliant. How he manages to appear as an actual robot who has emotions, and being able to present these emotions in such a clear and strong manner, is spectacular. Throughout the whole movie, you actually feel as if he is a robot, determined to become a human. Ironic, that he has determination, something a human would have.
The main thing about this movie, though, is its representations of emotions, upon which it focuses on massively. It not only addresses the philosophy of emotions, connecting it to a sentient being, but also delves into these emotions, opening them up, and immersing you into them, through the movie and great acting. Throughout the whole movie, it provokes your emotions, making you feel the suitable emotions that are being focused on in each given scene of the movie. It reflects our emotions as humans, through a being that isn’t actually human, in such a way that it makes you think about emotions, and what is actually is to be human. The idea of a robot feeling emotions digs even deeper into other topics of debate, including those of God and religion, and the value of life, and not just human life.
This is one of the most defining movies I have seen. One which definitely keeps you feeling a range of emotions throughout the movie, and thinking afterwards. A fantastic production, with a great cast, allowing a range of emotions to be provoked throughout – something a great movie should be able to do.
By Manpreet Singh