2001: A.I. Artificial Intelligence
Posted: July 30, 2011 Filed under: Monumental Movies | Tags: ArtificialIntelligence, Coney Island, cryostasis, emotional simulation, Frances O'Connor, gigolo joe, Haley Joel Osment, Jude Law, Manpreet Singh, mechas, Monica, robots, Steven Spielberg, Teddy, William Hurt Leave a commentArtifical Intelligence, in my opinion, is a classic movie. A visual masterpiece from Steven Spielberg, this movie is set in the near future, in which the manufacturing of robots occurs; but these aren’t any type of robots, but advanced, realistic, life-like robots (named mechas), which have been programmed to be as human as possible. However, although many types were manufactured, they still lacked some of the main elements that truly make a human, human, with one in particular – emotion. However, a further advanced prototype robot was created, called David (Haley Joel Osment) – a robot, created in the image of a young child, which has the ability to have emotions, in particular, the emotion of love towards his mother, Monica (Frances O’Connor), who adopted him as a substitute for her child who is in cryostasis due to having an incurable disease.
Problems begin to arise within the family, as a cure had been created for the child in stasis, meaning that he is able to return back home, and as a result, both David, and his now step-brother, Martin, feel obliged to compete for their mother’s love. Through this, Martin tricks David into doing several things which would make him appear unsafe to have as a ‘son’, and so Monica decides to return David back to the factory at which he was created, to be destroyed. However, a permanent imprint from Monica was put into David as she decided to permanently keep him, and being destroyed would be the only way to remove this imprinting. But David shows such genuine emotion towards her, even calling her mommy, to the extent that she cannot bear to have him destroyed, and so she drives him out to the woods and leaves him there. All the while, David, producing child-like emotions, becomes scared and worried, wondering why he has been abandoned by his mother, before wandering further into the woods.
David remembers a book his mother once read him before bed, the story of Pinocchio, and how the Blue Fairy granted wooden Pinocchio the wish of becoming a real boy. David, wanting nothing but the unconditional love of his mother, goes in search of the Blue Fairy, along the way, meeting countless different types of mechas, who have human appearances. He realises they are all discarded robots, and are being captured for recycling. Luckily, with the help of a few friendly and caring robots, including a robot programmed to please women – Gigolo Joe (Jude Law) manage to help. Joe decides to tag along with David, leading him to Rouge City, where Joe is convinced he will find the Blue Fairy.
The movie continues through a visually stunning, emotion-provoking futuristic journey, before David finds the Blue Fairy, only to be told it isn’t real by Professor Allen Hobby (William Hurt) – the man in charge of the company, Cybertronics, who created young David. David, in an attempt to escape from pursuers, travels underwater in an Amphibicopter, to an underwater city, which is in fact Coney Island. He becomes stuck in some rubble, but in the distance, sees a statue of a Blue Fairy. Two thousand years pass, and David is still there, staring at the fairy, before he is suddenly found and taken out of the water by an Alien species. This species has the ability to bring people back, but they need a DNA sample. David reveals he has a strand of hair from Monica, which he cut off her head (one of the things Martin made him to do try to get him into trouble).
His mother is brought back, and as David wished, he has been granted the wish by the mysterious yet graceful species, to become a real boy. However, the downside is that such resurrected people, as his mother, can only be brought back for a day. David finally lives a life in the day of a human, with his mother Monica, having the best day he has ever witnessed, laying with his mother at the end of the night, as she “falls asleep”…
This movie is perhaps one of the most realistically advanced movies I have ever seen. Throughout the movie, you can tell how much effort has been put into it, not only through the amazing special effects that have been used, providing brilliant visuals, but through the simple, yet brilliant storyline, adapted from the story of Pinocchio, ironically, being brought to life, in this beautifully crafted movie. There isn’t a lot of dialogue in this movie in comparison to most other movies, but such an amount is not required. The majority of this movie is heavily carried forward through its beautiful visuals, emotions, and its storyline, which even provokes emotions in the audience, as do the mysteriously eerie, yet brilliant futuristic representations.
However, the acting in this movie, especially on Osment’s part, is brilliant. How he manages to appear as an actual robot who has emotions, and being able to present these emotions in such a clear and strong manner, is spectacular. Throughout the whole movie, you actually feel as if he is a robot, determined to become a human. Ironic, that he has determination, something a human would have.
The main thing about this movie, though, is its representations of emotions, upon which it focuses on massively. It not only addresses the philosophy of emotions, connecting it to a sentient being, but also delves into these emotions, opening them up, and immersing you into them, through the movie and great acting. Throughout the whole movie, it provokes your emotions, making you feel the suitable emotions that are being focused on in each given scene of the movie. It reflects our emotions as humans, through a being that isn’t actually human, in such a way that it makes you think about emotions, and what is actually is to be human. The idea of a robot feeling emotions digs even deeper into other topics of debate, including those of God and religion, and the value of life, and not just human life.
This is one of the most defining movies I have seen. One which definitely keeps you feeling a range of emotions throughout the movie, and thinking afterwards. A fantastic production, with a great cast, allowing a range of emotions to be provoked throughout – something a great movie should be able to do.
By Manpreet Singh
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Transformers: Dark of the Moon – Verdict
Posted: July 24, 2011 Filed under: Film Reviews | Tags: Autobots, Decepticons, Goo Goo Dolls, John Turturro, Leonard Nimoy, Megan Fox, Moon, Pink Floyd, Rosie Huntington-Whiteley, Sentinel Prime, Spock, Star Trek, Steve Jablonsky, Steven Spielberg, Transformers, Transformers Dark of the Moon 1 CommentTransformers: Dark of the Moon was originally titled Transformers: Dark Side of the Moon, but changed, apparently due to copyright arguments from Pink Floyd. If this is the reason as to why the name had to be changed, that’s just ridiculous and the members of Pink Floyd need to lighten up – the ‘dark’ aspect of the Moon is pretty important in the movie’s storyline. But moving on, Dark of the Moon, is the third installment in the Transformers movie franchise, this time, travelling back to the year of 1969; in particular, the day of the Moon landing, to explain the story of an Ancient Cybertronian item which has been hidden there for some time.
The U.S. President at the time, JFK, pushes astronauts to land on the Moon before Russians, in order to find and reveal the unidentified object, which is in fact a spacecraft, known as The Ark, which was piloted by mentor to Optimus Prime, and original leader of the Autobots, Sentinal Prime (Leonard Nimoy), which the Autobots believe will help them win the war against the Decepticons. And from this flashback, through the use of brilliant CGI and clips of the President from the 1960’s, the back story to the initial discovery of the Transformers was given, before the movie pushes forward back to present day.
The storyline is average. Of course, it is a bit ridiculous and corny, but it is imaginative and interesting enough to keep you paying attention throughout the whole of the movie. As usual, like in the first 2 movies, Transformers (2007) and Transformers: Revenge of the Fallen (2009), the storyline is quite a linear one; and you pretty much know where it’s going to lead, although there are still some enjoyable twists along the way. However, the addition of the back story, dating all the way back to 1969 with the first Moon landing, does add to enjoyment, appealing to the ‘conspiracy-loving’ sides of our minds, what with the Moon landing having been a cover-up in order to investigate the strange object which crash-landed there.
However, as many of you who know about Transformers and have seen the first two installments know, these movies are mainly all about the action…and of course Megan Fox, though not anymore. But I’ll come back to this later on. I was expecting the action sequences to be great, what with the great action scenes in the first two. However, I have to say that they actually exceeded my expectations. The action scenes were brilliant, involving large amounts of Transformer battles, destructions of car, buildings and landscapes, stylish guns and swords, plus more. It was pretty much all the action you could want from a movie, with a lot of it even managing to build up suspense within me, which I was impressed with.
These brilliant action sequences are, of course, tailored by the special effect visuals, which, even though were great before, appear to have improved even more so. The special effects were outstanding; from the attention to detail, in every nook and cranny of the robots, to the scenes with huge battles and massive buildings being destroyed. Also, the beginning scene in particular, displays some of the finest special effects of the movie, and generally, to date. If you’re a fan of movies with brilliant use of special effects, then you need read no more, because I can tell you right now, it’s worth the watch. But it would be nice if you read on anyway; I have carried on writing after all…
Action and special effects aside, I’m sure you know that there is a reasonably large element of humour to the Transformers movies. I particularly enjoyed this humourous aspect in the first movie, although I felt they got a bit too carried away in the second one. In Dark of the Moon, at first, I was beginning to feel the same as I did about the second movie – that they were trying to hard to make it a funny movie, and it just didn’t seem comical. However, as it progresses, the comical scenes do become more genuinely comical. This is particularly helped with the appearance of Ken Jeong, more commonly known as Mr Chow, from The Hangover 1 & 2. In fact, I actually found his scenes funnier than many of his scenes as Chow in The Hangover. However, the reprisal of the character Simmons (John Turturro) was the most consistent and entertaining source of humour for me in this movie, with almost everything he said being funny, along with his Dutch assistant, Dutch. The small role from John Malkovich was also an enjoyable and comical one too, with him seeming crazy in a funny way, as usual.
The one part of the comical aspect which I was annoyed with was the miniature Transformers that they had running around, which most of the time, weren’t really funny, and eventually got quite annoying with their “‘funny” moments. Although, they did have some moments which were kind of funny, but no match to the rest of the comedy.
I also managed to find some emotion in this movie, too, with one of the scenes in particular seeming quite emotional; and this was helped by a pretty impressive musical score from Steve Jablonsky. Although, at one point in the movie, I’m pretty sure I was watching Inception for a whole scene. Those of you who have seen this movie, along with Inception, will understand what I mean. Generally though, I enjoyed the musical scores, with their tones of suspense, and outbursts of suitable emotion suiting the movie reasonably well. The general soundtrack wasn’t too bad either, including the likes of Linkin Park and the Goo Goo Dolls, suiting the relevant parts of the movie relatively well.
One thing which pretty much consistently pissed me off about this movie was the lead female role being portrayed by Rosie Huntington-Whiteley as new love interest, Carly Spencer. Sure, she’s stunning, she’s enjoyably to glare at and think about – but from a performing aspect, her acting is terrible. It remained relatively monotonous throughout most of the movie, showing little emotion or good acting ability. It just seemed that she was added to the cast solely due to her good looks, with the makers hoping that we wouldn’t notice that she can’t act. But we did. It’s the fact that she’s great to look at that calmed me down. It’s a shame Megan Fox didn’t reprise her role, as she at least had somewhat better acting abilities (and is also fun to glare at). The performances from the rest of the crew however, were reasonably good.
One small thing I noticed about this movie, which I’m sure other sci-fi geeks will have noticed, were the space references, considering the movie was largely related to space; in particular, how they showed an episode of Star Trek on the TV for a second or two, showing a scene with Spock (Leonard Nimoy). There were also other little references. See if you can spot them.
In the end, though, I pretty much enjoyed this movie. Despite it pretty much being focused mainly on action-packed scenes and great CGI, it very much appeals to the side of me which happens to love action-packed movies. It’s a great watch, and if you do decide to watch it at the cinema, I would definitely recommend doing so in 3-D, as this only enhances the brilliant special effects and action scenes, making the movie a lot more enjoyable, which I can’t say about many 3D movies. A great piece of work from Michael Bay, with the help of Steven Spielberg, I would recommend this to fans of epic action movies in particular, but generally to everyone. Just don’t expect any brilliant or extraordinary dialogue scenes or clever plots; just sit back and enjoy what it has to offer.
And, by the way, Optimus Prime is badass, as usual.
iHartMovies rating – 4.o/5
By Manpreet Singh
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